BIRTHPLACE AND BIRTHDATE


  Mexico
October, 1968

EDUCATION AND PROFESSIONAL TRAINING


1983 - 1986 Drawing, pastels, oil painting. Artist Ofelia Erosa
Academia Sn Francisco. Merida, Mexico
   
1986 - 1987 Drawing Artist Marc Callaghan.
Merida, Mexico
   
1987 - 1988 Art History, Drawing, Painting, Molding, Modeling.
Centro de Capasitacion Arrtistica. SEP
Mexico City
   
1989 Counseling with Maestro Fernando Castro Pacheco
Merida, Mexico
   
1989 - 1993 National School of Painting
Mexico City
Studies: painting

TEACHING AND PROFESSIONAL EXPERIENCE


LECTURES Miami Dade College. Miami FL
NBPS Visual Art Department. New Heaven FL
Polk Community College, Polk County FL
Plantation Community College. Plantation FL
DASH Miami FL
2004
2003
2003
2003
2000
   
TEACHING Mosaic, Art Center South Florida
Basic Drawing, ACSF
Art, Centro Comunitario Hispano
1996 - 2003
1996 - 2003
2001 - 2002
   
SET DESIGN Nicelodeon Head Quartes. Miami Beach FL
Warner Brothers Productions. Miami FL
MTV Latino. Miami FL
TELEVISA Mexico
National University Museum "EL CHOPO"
Mexico City
1998
1997
1997
1993
1992
   
MOSAIC Bisazza USA. Miami FL
Art Director for Shed Aquarium floor product.
Chicago IL
2002

SELECTED SOLO EXHIBITIONS

2008 "FROM LINCOLN ROAD TO SUNSET DRIVE", Mexican Cultural Institute, Miami FL
   
2006 "ALEKXEY SABIDO, EXPOSICION PICTORICA" Selecto Gallery, Merida, Mexico
   
2005 "PINTURAS FANTASTICAS" Olympo Cultural Center,
Cultural Affairs of H. Ayuntamiento de Merida. Mexico
"VIRGIN MARY OF GUADALUPE", International Airport of Merida, Mexico
   
2004 "DAY OF THE DEAD" Alter Installation. Mexican Institute of Miami FL
   
2003 "PINTURAS FANTASTICAS" Dot 51 Gallery. Miami FL
Funded by grant of Mexican American Linkage Institute of FIU. Miami FL
   
2002 "CORTO CIRCUITI" Studio Vigato, Alessandria Italy
   
2001 "FROM DAILY TO SACRED" Stanley Gallery. St. Petesburg FL
   
2000 "INMACULADA" Artemis Performance Network. Miami FL
"ALTER FOR THE DAY OF THE DEAD". Art Center South Florida
   
1999 "SANTOS SIN DOLOR" South Art. Miami FL
   
1996 "ALEKXEY SABIDO ARTISTA LATINOAMERICANO"
Traveling Show: Alliance Theater Gallery, Miami Beach FL
La Galeria, Sarasota FL
Oceola Center for the fine Arts, Oceola FL
Arts Mall, Winter Park, FL
   
1993 - 1995 MOVIMIENTO CONTEMPORANEO Gallery. Artist Studio installation
Cancun Mexico

PUBLIC ART


2002 "RAICES" Public Park Mosaic Mural. Dade County Parks and Recreation
Department Miller Dr Park. Miami FL

SELECTED GROUP EXHIBITIONS

2008 "Espacio y Tiempo". Galeria Municipal de Merida", Yucatn, Mexico
   
2007 "20th Anniversity", TEW Galleries, Atlanta, Georgia
   
2006 "The Holiday's show", TEW Galleries, Atlanta, Georgia
   
  "New and Emerging Artists". TEW Galleries, Atlanta, Georgia
   
  "Viren de Guadalupe", Galeria Scalenus, San Angel Mexico.
   
  "Pelaez & Iturri Collection", Coral Gables FL
   
  "II Contemporary Artist Encounter in Yucatan".
By Merida Mission Art Productions. Merida Mexico
   
2002 "I Iernational Exchange of Latinaamerican Artist in the South of Florida"
Funded by Florida International University, Museo Mediceo, Seraveza, Italy
"Nature Morte" Galleria del Tasso, Bergamo, Italy
   
2001 "LIFTING THE VAIL: Liberating Virgin Mary",
Berenice Stainbaum Gallery, Miami Florida, US
   
  "LIVING IN MIAMI", Silvana Facchini Gallery.
Silvana Facchini Gallery, Miami FL, US
   
2000 "SMALL WORKS GREAT VISIONS" Cheryl Hasan Gallery New York, NY
   
1999 "DIRECTORS CUT Art 800" Richard Shack Gallery. ACSF Miami Beach FL
   
1998 "THREE OF HEARTS" Wallflower Gallery, Miami FL

PRIVATE COLLECTIONS

  Perez - Montenegro Collection, Mexico
   
  Pelaez & Iturri Collection, Naples Florida
   
  Hugo Ortiz, Mexico
   
  Graziano Bigato Collection, Italy
   
  Eduardo Villanueva, Monterrey, Mexico
   
  Elizabeth Ann Bermant, Miami FL

Alekxey Sabido grew up in the magical rich tradition of the Yucatan Peninsula in Mexico.  His father was a prominent neurosurgeon while his mother raised their seven children.  Artistic dreams were cultivated in Sabido’s earliest memories of childhood.  As a very young child, his father commenced a hospital residency in the south of Mexico City.  The family lived on the hospital grounds.  Theirs was a beautiful home in the woods.  Here Sabido lived with his three brothers and two cousins and a family of dogs.  While his father attended to his patients, Sabido remembers with great fondness the longs days where his mother would play the guitar and bake for the troop of children.  Here Sabido remembers exploring an empty kindergarten where all four boys relished in the toys and creative materials left behind.  Many days they would pass by an old carpenter who would be carving his wooden treasures. Days were filled with imagination and fantasy was abundant as they played in the woods.

Looking back his memories play like a David Lynch movie.  They become colorful image-scapes of happy times yet there are surreal elements and a psychological awareness to these earliest of remembrances.  Later these elements become vital parts of his paintings, as Sabido is greatly attracted to the human condition as it unfolds.

As the youngest child with three older brothers who were close in age, Sabido found himself in the unique position of observer.  Often too young to join in, he would watch the dynamics of his family like a Greek comedy or tragedy unfolding.  More importantly, he was allowed the freedom to be by himself and be an observer of human psychology.  This later had a great impact of his art.  Often he uses fables or myths to give life to the present day human drama that unfolds in his works.  His subjects, family and friends are transformed myths.  More importantly he emphasizes the timelessness of life struggles and joys through the human drama.

Life took a dramatic change for Sabido when his father took a permanent post at a hospital in Merida, Mexico and the family moved.  Life became about routines and school and the magic of discovery was temporarily left behind.  Sabido found the structure of school limiting and un-inspirational.  Troubles at home ensued, and during this time Sabido learned to be considerate and quiet as to not add to the tensions.  Again he became the observer, examining his own family dynamic.  But one thing remained constant - the devotion of his most beautiful mother.  Often his mother would pick him up with his brothers and sisters from school and travel to the beach to play and dream.  During this time his 6th grade teacher noticed Sabido’s creativity and instructed his mother to take him to a drawing class.  This opened up a whole new world for Sabido.  Later when tested at school for personality traits and their link to professions, Sabido was told he should become a physician, religious or an artist.  Applying this information, Sabido volunteered as a Spanish and history teacher at a missionary school in the north of Mexico.  Though he blossomed in the environment he was asked to leave when he decided not to join the priesthood.  This led him to read about and explore his true vocation – becoming an artist. 

He enrolled in the respected National Institute of Fine Art in Mexico City.  After school he worked on set design and then returned to Merida where he opened in first studio space.  Disillusioned with the smallness of Merida, Sabido moved to Cancun where he worked with galleries and organized exhibitions.  It was during this time that Sabidio made his first trip to visit his eldest brother Ivan who was living in Miami. During his visit he discovered and later was accepted to the prestigious Miami Arts Center should be Art center South Florida.  Here he was awarded a residency and art studio.

Primary to Sabido’s paintings is the connection to his beloved Mexico.  Sabido believes that the manifestation of popular culture can be seen in its national holidays and religious celebrations.  Mexico is a country of over 108 million people.  Among such a population there is a cohesiveness and harmony found in the daily rich traditions from attending mass and lighting candles to living amongst decoration and vibrant colors.  Mexico’s people find a unification in the ornamentation and pageantry of living.  Sabido embraces these elements and transforms each into beautiful abstract forms that become for Sabido his own voice. 

Growing up in the Yucatan, Sabido was primarily influenced by the boldness of vibrant colors.  His is an understanding of color that is limitless rather and structured.  His color identification comes from living in the Caribbean climate where the waters of the sea are a cerulean blue and filled with large schools of fish, turtles and coral reef.  Houses are painted in vivid colors of pinks and yellows and greens. Cedar, ceiba, pich, and poak trees lines the forests. As he states: “My art is the result of and endless exploration of simply combination of colors and textures. My concept of colors is greatly influenced by the colors of the Caribbean and the intensity of light. There is a constant battle between the sunlight and the nature’s bright colors.  My art in turn becomes a celebration of beauty and life brought about by this struggle.”


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